The creation of architecture is a complex endeavour that necessarily encompasses the functional, social, and emotional needs of its users, both individually and collectively. To this challenge, many have posited their agendas to produce an ethically and socially conceived architecture. The Modern Movement, for example, outlined a clear agenda for architecture that sought an architectural panacea for the social ills of the new industrial city. Yet under this social veil, its greatest proponent, Le Corbusier, pursued a personal agenda of aesthetic, social and urban ideas for a Modern architecture. His was a social theory, seeking to remedy the social reality of unhealthy and unsanitary cities. However, his stance highlights the inherent problem with architecture conceived as a social art. Art, by its nature and its practice, is a personalised and an essentially biased act. Often it implies a single agenda, grounded in the creator